Exhibition Runs: December 8th to January 31st, 2012
Closing Reception: January 19th, 7-8PM
At the UAS +15 Gallery
The body recreates itself constantly, generating new forms from old pieces of living matter. The paintings in regenesis are portraits that dissolve the perceived body into archetypal patterns. Following traditions of visionary art, the series of paintings are intuitive reconstructions of inner experience of the other.
The paintings in regenesis reframe literal interpretations of our origin, questioning the belief that humans are above or isolated from nature. Themes of survival, motherhood, sexuality and heredity are revealed in repetitions and visual metaphors that reflect human language.
Animals, planets, and plants are woven together with the human body and elements of the landscape. Each portrait of a human or animal is reduced to graphic, geometric simplicity and a basic colour palette. The circle is always present, a reminder of the cycles that continue beyond our individual stories.
Artists: Caitlind Brown, Bogdan Cheta, Anna Desramaux, Megan Dyck, Graham Krenz, Nate McLeod, Chelsa Mossing, FarLee Mowat, Cassandra Paul, Sarah van Sloten, Alison Stalker and Mitch Tukk.
Curated By: Sally Raab
Main Space Exhibition Runs: January 6 to January 27, 2011
Reception: January 14, 2011, 7-10PM
Bump/Shift is an exhibition rooted in the idea of change; flux, movement and impermanence. Artists are often bound to the impermanence of the spaces in which they occupy. Studios are shut down, galleries are moved or closed, and the government changes initiatives and willingness to support the arts. In response, artists have sought resourceful and creative ways to create their own spaces, in turn letting this challenge inform their work.
Installation has been used to define what space is, and once defined, how it can be transformed and re-presented. Artists take action to claim space that was not originally intended for art. Historically, installation artists have asked the viewer to question where the line between vandalism and art is; what public space is, who owns it, and how it should be used.
A dissonance becomes evident when artists contend with the desire for stability and irreverence. Though the two are not explicitly at odds with each other, there is the potential for tension. While installation is historically situated in this tension, the creation of an environment can involve a multitude of complex yet subtle concepts.
Physical space can be transformed to invoke emotion and engage the imagination. If stability is disregarded, the physicality of an installation is free to become a conduit for mental space, informing the viewer not only of the limited lifespan of the art object, but of fleeting sensations beyond words. The artists in this exhibition demonstrate their own ideas of what installation actually is, how permanent it can be, and what part of the mind is engaged by it.